Fyra nyanser av brunt Four Shades of Brown (2004) CD 2 eng, Pobrane

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00:00:35:Yes?00:00:37:- Am I interrupting?|- Jan-Erik?00:00:42:Good day to you, Jan-Erik.00:00:46:I thought we"d make|some changes for tonight.00:00:50:Perri, Jan-Erik and I have to work.00:00:57:Fine by me. I was going to work|on my tan anyway!00:01:03:On the beach.00:01:22:In a hockey glove behind the boiler.00:01:28:Do you know how long|it"s taken to renovate this hotel?00:01:32:How much work|has gone into every nail?00:01:37:This purity, light, openness...|You can"t place any old thing in it.00:01:43:You don"t tell Beethoven|that his sonata-00:01:47:- needs a boogie-woogie movement.00:01:50:For fuck"s sake,|it"s just a silly little statue!00:01:54:Everything matches here.|The curtains match the cutlery-00:01:59:- which match the tablecloths...00:02:01:If this hotel is so perfect, how can|this little wooden man ruin it all?00:02:12:OK, put the fucking thing up, then!00:02:22:Hi!00:02:29:- The builders take half that cost.|- So this is my share.00:02:45:It says beaded panelling,|but we had unplaned, didn"t we?00:02:52:That? Lt"s Tove"s... A girl thing.00:02:56:- But she"s part of this hotel, so...|- Sure.00:03:02:I think it"s quite fun, actually.00:03:05:Hey, look. L"ve found|a beautiful glass mosaic-00:03:12:- from an old church in Tuscany.|Let"s see...00:03:17:Keskinen...|I need your help with something.00:03:49:I...00:03:51:I think this is working out fine.00:03:57:Can"t we go on like this, we three?00:04:03:Eh?00:04:06:We"re a perfect match. We don"t|interfere with each other"s business.00:04:18:Damn, no matches!00:04:28:You"ve never seen us perform magic,|have you? You should.00:04:41:Hi. My name"s Ray. What"s your name?00:04:46:Your name"s Ray, my name"s Gerd.|What"s your name?00:04:51:Your name"s Ray, your name"s Gerd...00:04:56:...my name"s Claes. What"s your name?00:05:02:Y-Your name"s R-Ray,|your name"s Gerd...00:05:08:...your name"s C-Claes...00:05:11:...and my name"s B-B�rje.|What"s your name?00:05:24:What"s your name?00:05:30:What"s your name?00:05:34:- What"s your name?|- Come on, Ray, leave him alone.00:05:38:Let him go.00:05:40:What"s your name?00:05:43:What did you say?00:05:48:Ray.00:05:53:Christer has made|great progress today.00:05:56:He broke the "sound barrier",|so to speak.00:06:02:That"s great!00:06:05:- Thank you for coming, Christer.|- Yes.00:06:08:Oh, yes. Christer seems|a little afraid of physical contact.00:06:14:It"s incredibly important|to have bodily contact-00:06:19:- in the rehabilitation process.00:06:22:It"s essential|if Christer is to recover.00:06:27:So try to live normal lives|as much as you can. Good luck.00:06:36:Whats your name?|My names Ray, my names Ray...00:06:44:Well...00:06:48:...I guess we"ll have to|try and do as she says.00:06:53:- Put your seatbelt on.|- Yes.00:07:18:Well... I think it"s time|for me to go to bed.00:07:23:Yes...00:08:13:Christer!00:08:15:Yes?00:08:17:What are you doing?00:08:45:Christer?00:08:47:Yes?00:08:51:L"m off to bed...00:08:54:Yes.00:09:23:Hello.00:10:26:Hi.00:10:42:Cider?00:11:26:What the hell?00:12:05:We have to stick together|through this, Morgan.00:12:10:OK?00:12:13:- Look! Lt"s Flavio to a tee!|- Yes.00:12:17:That"s great, Morgan.00:12:23:But weren"t you|going to invite Massoud?00:12:30:- No.|- But l"m sure he wants to come.00:12:35:He doesn"t eat crayfish.00:12:38:We don"t just have to eat crayfish.|We can have those...00:12:43:...napas and tapas|and tacos and hats! Funny hats!00:12:49:We can have|a Mexican crayfish party!00:12:54:OK, who wants|to stick the stamp on?00:12:58:Ray. He likes Barbapappa.|L"ll draw him one.00:13:03:- Levr�n?|- Levr�n, yes.00:13:05:Do you know what we"re having?00:13:09:No...00:13:10:We"re having a nice time together.00:13:39:Excuse me... You have to stop.00:13:44:Ever since I saw "The Sting" with|Robert Redford and Paul Newman-00:13:49:- l"ve wanted to be a banker.00:13:52:On Tuesday l"m going|to a job interview at a bank.00:13:58:What?00:14:00:I really want the job,|and I know I can do it.00:14:06:But l"m worried|they"ll be put off by my charisma.00:14:10:You in a bank?00:14:12:Help me. What do they ask?00:14:16:First, they"ll ask you|why you want the job.00:14:21:I like being in vast, old rooms...00:14:24:For God"s sake. The job.00:14:27:It"s just handling paper and money.|A monkey could do that.00:14:32:What I think they want to hear|is that you"re reliable, ambitious-00:14:39:- keen to work, able to fit in...00:14:42:And responsible.00:14:44:Just do the opposite|of what you normally do!00:14:48:Keep a low profile. Don"t mention|eyeshades and sleeve protectors.00:14:54:It"s a good idea|about the low profile.00:14:59:Tone down the charisma a bit.00:15:03:Good idea.00:15:07:Tell us about your hiding place.00:15:10:Not on your life.00:15:15:- Do I have to?|- I think you want to.00:15:26:It"s... I...00:15:31:I have a fish. On the shelf.00:15:37:Behind it is my secret place.|When I open it and stick my arm in...00:15:43:- Where you hide your porn?|- Tons of it.00:15:46:L"ve collected so much porn on|my travels. From around the world.00:15:52:In Japan there"s a magazine for|every position. With horses and...00:16:00:...running around naked, and along|comes a huge guy in a bearskin...00:16:07:Johan. Why do you lie so much?00:16:13:I don"t!00:16:14:The last two times|you"ve lied about sex.00:16:19:- And the porn. Is that also a lie?|- No.00:16:26:What do you have in there?00:16:30:Porn.00:16:35:I mean...00:16:37:What do you have in there?00:16:41:Porn. Horse porn.00:16:43:We"re here to confide in each other.|What do you have in there?00:16:54:A pair of socks.00:16:57:- What?|- A pair of socks!00:17:17:Oh, yes.|I had a weird dream last night.00:17:25:Actually, it was about you, Olle.00:17:28:Is that a fact.00:17:34:We were in a restaurant.|It was really nice.00:17:39:And then we strolled through town...00:17:46:...until we arrived at your place.00:17:50:You asked me if I wanted to come in.00:17:55:And then we"re in your hall.00:18:01:And you help me off with my coat.00:18:09:And then you ask me|if you can fix my hair.00:18:18:Because it"s fallen|over my face, like this.00:18:24:And you take your hand...00:18:30:...and push my hair behind my ear.00:18:33:And then I bite you,|and the blood spurts everywhere.00:18:37:And I scream: "In your dreams,|you dirty old sod!"00:19:10:Can"t we finish now?|I feel awful.00:19:15:Yes, let"s finish.00:19:54:Tove, can you come here a second?00:20:01:- Hi.|- Have you met Keskinen?00:20:06:Of course l"ve met Keskinen.00:20:08:- Today?|- Today.00:20:30:Keskinen!|What the hell are you playing at?00:20:34:- Sorry!|- Oh my God, Richard!00:20:54:OK, bye.00:20:58:Christ, Richard, look at him.00:21:03:Tove, darling.|Please don"t put him back.00:21:10:...over the bottle,|and one cylinder over the glass.00:21:16:And now...!00:21:20:Now the glass is... here!00:21:23:And the bottle here!00:21:40:Id like to ask|the audience to check...00:21:45:Do you know what happens|when you display him?00:21:50:I go back down to division 5.00:21:55:I go back down|to that tacky world I came from.00:22:01:And all the bad taste there...00:22:05:All of it|is embodied in that statue.00:22:17:But...00:22:24:...if he can"t stay,|then neither can I.00:22:45:I came up with this trick when|Kelly lost her purse in Oslo in 1957.00:22:53:The police wanted a full description|of its contents-00:22:57:- and Kelly went through it all|down to the last penny!00:23:06:We were so broke, we made|engagement rings out of tin foil!00:23:15:Now the audience thinks I was stingy.|Foil was expensive in those days!00:24:08:What have you got|in your inside pocket?00:24:15:Well?00:24:20:A flask of whiskey!00:24:23:Yes, that"s correct!00:26:11:They crawl out of the woodwork,|the so-called friends, relatives.00:26:17:Vultures come to feast|on the corpse.00:26:21:The Nile is brimming over|with crocodile tears-00:26:25:- and my generosity|knows no bounds.00:26:29:S�ren H. Lindberg will once again fill|these petty, boring little lives-00:26:36:- with meaning, joy and booze.00:26:39:I know no one, no one knows me,|everyone knows the monkey. Welcome!00:27:28:Hello! Lt"s been a long time!|Great to see you. Come in.00:27:37:Hi, ladies!00:27:40:- Got your cutlery in your hair?|- Exactly.00:27:44:Kenneth...00:27:53:That womaniser Erland.|"The Virgin Erlands" we called him.00:28:00:L"ve always liked women"s company.|It"s just the way I am.00:28:10:- L"ve no idea who he is.|- It"s someone Dad knew.00:28:14:I think it"s one of Dad"s friends.|He"s called Tarmo.00:28:27:Welcome.00:28:29:L"d like to welcome everyone|to this...00:28:32:...lovely, oriental-themed evening.00:28:38:Yes indeed. And all in accordance|with S�ren H. Lindberg"s last wishes.00:28:44:We bid farewell to a great man.00:28:48:We who knew S�ren know that|what he loved best was having fun.00:28:55:Imagine if more people|had his attitude to life.00:28:59:The world would be a very different|place. Particularly the Middle East.00:29:04:And perhaps the Midwest.00:29:07:That"s it!|A round of applause for S�ren!00:29:12:L"m Roffe Lindvall,|and tonight we"re going to have fun!00:29:18:L"ll be back later,|same time, same channel.00:29:22:It"s time - just get the tape going.00:29:28:Heres a little song|from the Orient.00:29:33:Its called|"Pure, unadulterated joy".00:29:37:Just a little background music|for the party. OK, lets go...00:29:45:Gong, gong, little Chinaman|Ding, ching, dong...00:30:05:Kjell Levr�n! Come in!00:30:10:- Hello.|- Hello. L"m Anna.00:30:14:- Flower.|- Thank you.00:30:16:Hi, Kjell Levr�n.|Station manager, SSK.00:30:18:- We"ve met.|... [ Pobierz całość w formacie PDF ]

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